Skip to main content

X-Men: Days of Future Past X-Men: Days of Future Past | Film Review

X-men: Days of Future Past provides a kick-ass finale to a solid franchise, as well as paving the way for future X-men films.
This film spent a phenomenal $250 million, and I think it is going to reap the rewards, as it looks to be one of the top Marvel films to date.
The opening of this film depicts a dystopian future in which all the mutants are relentlessly being hunted down by sentinels. This scene shows the absolute power of the sentinels, and depicts the vulnerability of the mutants.
However this film does not only focuses on fighting, action and explosions, but rather centres around the psychology of the mutants, and ultimately the difficult ‘choices’ they have to make. This to me is what sets this film apart from other Marvel films.
See Also - X-Men Days Of Future Past: Did The Film Indirectly Confirm A Deadpool Movie?
Bryan Singer seamlessly balanced drama, tension and comedy, allowing more comedy in the first hour through the character of Quicksilver (Evan Peters), however phasing it out as the film progressed into a more serious tone. One of the highlights of the film was the fight sequence at the Pentagon, hilariously set to Jim Croce’s Time In A Bottle, in which Quicksilver moves so fast that time slows down as he rearranges bullets and flying objects in slow motion. This was my favourite scene in the movie.
Initially I was sceptical of the concept of time travel, as it is a difficult to pull off, however Singer skilfully parallels the past and the present, creating beautiful scenes that seamlessly flowed into one another, each building up tension within each other, a detail that is hard to capture. The special effects in some scenes looked astounding, however some other scenes seemed a little off. However it did not detract from my experience of the film.
Bolivar Trask’s (Peter Dinklage) character was severely underdeveloped, however it didn’t seem to matter, as the true enemy of the film was in fact the decisions of the mutants themselves. I felt that, other than Charles Xavier’s (Patrick Stewart/James McAvoy) character, there was little to no character development, which would have made the film a little more interesting.
Some of the film will only make sense to fans that have watched previous X-men instalments, however this movie can be enjoyed regardless. I recommend you watch it in theatres with your friends or even by yourself. Yes, it is that good!
PS: I know the credits may seem long, but you might want to wait until the very end of the fantastic X-Men: Days Of Future Past movie.

Comments

Popular posts from this blog

22 Jump Street | Film Review

22 Jump Street is no joke 22 Jump Street came to play. This sequel was jam packed with ironic references and comments about itself, so much so that it was in fact criticising and reviewing itself, making it extremely difficult to find any flaws. It was a buddy cop movie about all other buddy cop movies, it was a sequel movie about all other sequel movie, and most unexpectedly, it was a love story about all other love stories. This movie was so aware of itself being a movie that it was frightening at first, I went into the cinema expecting some funny gags and comedic action, but instead I was pleased to have stumbled upon an epic comedy with just the right amount of ‘meta’. The directors Lord and Miller anticipate any observation, objection or criticism the audience may have, and lets them know that the movie knows already, and it just doesn’t care. Characters repeatedly made remarks about how similar the investigation was to the previous one, and how they were simply doing th...

Black Coal, Thin Ice | Film Review

Black Coal, Thin Ice (direct translation is ‘Daytime Fireworks’), a film directed by Diao Yin An, received the Golden Bear award at the 64th Berlin International Film Festival. However this movie was awfully confusing and had too many twists and turns for its own good. Even though I am Chinese and understood the dialogue the film was still very difficult to follow and required long discussions and a tonne of brain power to finally work out what actually happened. The film is a detective thriller with snippets of satire and absurdist notions sprinkled throughout, this hybrid of genre sometimes works and sometimes doesn’t. I never could get into a nice rhythm as the film started off with fairly fast and slick action, incorporating some brilliantly conceived transitions and set pieces, but then suddenly the pace slowed down immensely, dragging the viewers along in an attempt to create an art house film feeling. Overall it was just difficult to settle into leaving me to question whe...